

It's all state of mind
The Wild West, Monument Valley, Utah, USA, 2007
View from the Southbank, London, UK, 2007
Finding the kings, Valley of the Kings, Luxor, Egypt, 2007
NYC Taxi, New York, USA, 2007
Sunset on the Thames, London, UK, 2007
I, by no means, am a hip hop fan. The whole hip hop/rap/R&B scene, with its bling bling, money flaunting sideshow has never really been something that has drawn my fancy. So, I have tended to stay pretty far away from this genre, dipping my toe in with some DJ Shadow every now and then pulling right back out.
Nick Hornby wrote about Thunder Road in the opening chapter to his novel 31 Songs (the book I wish I had written, and in more than one way an inspiration for this blog). He decribed how it made him feel, especially the last line (italicised above), like there was something better out there for him, something to look forward to. It's a great song, with some killer lyrics, one I definitely try and listen to at least once a month for a little inspiration.
Long Road - Pearl Jam
And the wind keeps rollin
And the sky keeps turning grey
And the sun is set
The will rise another day
One of my favourite Pearl Jam songs, from the classic Merkinball disc of the late 90's. I read a great story about Long Road the other day, maybe on the Red Mosquito forum, i'm not sure. But it described how the song was written, and how Eddie came up with the music immediately after he had heard that a friends family member had passed away. Apparently Ed went into the sound booth and just started hammering away on the open D-chord that rings out at the start of the song. The other guys (including Neil Young) joined in soon after and that's how the song came about.
The original version (in the clip below from a Bridge School concert) was sung with Nusrat Fateh Ali Khan, the brillaint Indian musician, but I prefer the live Pearl Jam versions - especially Perth 2003 and Wembley 2006, as I was there singing along. The clip below is Eddie at his best though, feeding off another artist, taking a song to a whole new level.
Street Spirit - Radiohead
Rows of houses all bearing down on me
I can feel their blue hands touching me
All these things in all positions
All these things will one day take control
And fade out again and fade out
My personal highlights of the day were all off the main stage. Enter Shikari were brilliant. A young band from St Albans in England, they rocked. I'd been talking them up all week - so I was expecting alot - but they delivered. It was raw, innovative, fast and strong - and I loved it.
Brilliance also came in the form of Tom Morello (the Nightwatchman) and Billy Bragg.
I had seen Billy Bragg once before, back in Perth in 2002 (I think) at a theatre show. I had been a fan for a while, and the show was my first real experience of modern folk/protest singing. Watching him perform at the Big Day Out reminded me of Bob Dylan and the other protest singers of the 60's and 70's. One man, with a guitar on stage singing about issues that affect us all. It was pretty powerful - and I'm looking for a bootleg of his alternate version of 'The Great Leap Forward' if anyone has it.
Tom Morello peformed with all of the passion and anger we have come to expect from him in all of the years he has been with Rage Against the Machine. Like Billy Bragg he performed solo, belting out brilliant songs, with the crowd eating out of the palm of his hands the entire time. Probably the highlight of the day was the version of Midnight Oil's 'Beds are Burning' with two of the member of Anti-Flag - they nailed it - and it fitted in perfectly with the day.
Looking back I guess the Big Day Out is still the same festival it has always been. But for me it has certainly changed. The bands are still great, but I guess enjoy more when I'm there with all of my friends. Getting crushed in the pit together, fighting our way to the bar together and randomly bumping into each other in the most unlikely of situations throughout the day. That's what makes it a Big Day Out.
Listening to them brought back some great memories of the Counting Crows, and namely Anna Begins, my favourite song from August and Everything After, their first album.
"Her kindness falls like rain it washes me away, and anna begins to change my mind. And every time she sneezes I think its love, and all along, I’m not ready for this sort of thing.
She’s talking in her sleep, she’s keeping me awake, and anna begins to toss and turn, and every word she says is nonsense, but understand it all.”
The weekend before I left Perth to move to London the music gods blessed me with the most amazing send off. My plane tickets had been booked for at least six months beforehand, my bags were pretty much packed – and somehow they knew. They offered up a big double header – Counting Crows on Saturday night, Pearl Jam on Sunday – I couldn’t have asked for anything more……no, no bloody way!
For at least the past eight years the Counting Crows and Pearl Jam had been my two favourite bands. I had every album, knew every song, every chord, every lyric – it was just too perfect.
I got tickets to both – sleeping out for two nights with friends to get Pearl Jam tickets – and scoring Counting Crows tickets over the phone. Pearl Jam played at Perth’s largest indoor arena, the SuperDome, Counting Crows at an intimate inner city venue, Metropolis (now more famous for the gang violence which occurs there every weekend than the concerts it holds).
Counting Crows were first, on the Saturday night. In a stroke of luck my friends band, Fourth Floor Collapse, opened for them on the night. That in itself was amazing. FFC was a local band my friends and I had followed for a long time. My best mate's brother was the lead guitarist and several of the other band members had gone to the same school as me - so I knew them quite well.
My mate and I got to the CC concert nice and early to line up. We caught the soundcheck and were amongst the first few people into the venue. We eventually ended up in the centre of the venue, right against the stage – probably the best piece of real estate at the entire concert –so we were pretty pleased.
Before FFC had even hit the stage we were greeted by a surpise vist by the Counting Crows lead singer Adam Duritz. Adam came out to the stage and sat down right in front of us and talked to the crowd for at least 30 minutes. He signed autographs and shook hands and showed a genuine interest in speaking with all of the fans who turned up early, which was absolutely brilliant and, to this day it remains one of my personal “rock” highlights.
FFC opened and dedicated a song to me (pointing me out to the packed crowd) which was a thrill – and the Counting Crows rocked. The guitarist, Dan, scored twp backstage passes for my friend and I, so we could meet the Counting Crows after the show.
It has taken me a long way to get there, but finally here is my point. On the night Adam talked about Anna Begins. He said he was nervous because in the next few days he was heading to Sydney and he was going to see “Anna” for the first time in over a decade. He told us the story of Anna Begins, which goes roughly like this …
Before the Counting Crows got going Adam took some time out to backpack through Europe. He was travelling from Italy to Greece and on his ferry he met a girl called Anna. He had brought a big bottle of red wine along for the journey and so had she, so they sat together and drank. Romance was in the air and they ended up living together in Greece (?, I could be wrong here) for the next few months, where he wrote the first half of Anna Begins.
Adam eventually had to leave to get back to San Francisco, leaving Anna to continue her trip.
Anna was an Australian girl, and it was essentially a travel romance – albeit a good one. Anna knew the song was about her, Adam had told her, but she had never heard him sing it live and that was about to happen in Sydney in a few nights time.
He also told this story at the Counting Crows Storytellers session which you can read about here.
For someone about to embark on a European journey of my own, this story filled me with hope. Needless to say, my friends and I took the same ferry journey, and we drank red wine. Coincidently we too met some Australian girls who keep us company on the torturous 11 hour journey across the Adriatic sea, but no-one like Anna.